This morning, the email came. The email. There are, actually, several the emails that happen in a writer’s life in publishing today, but this one very much gets a the status, because this is the last pass for any changes for Chasing Prince Charming. Once Melva and I give our okays at the author portal, we will have pulled the trigger, and put our first “baby” together on the metaphorical school bus, the better to tend to our current infant, Drama King, as well as our individual efforts, in genres as diverse as memoir, historical romance, and cozy romantic suspense. (The middle one is mine. I do have some YA ideas, but I am juggling enough chainsaws at present, but don’t quote me.)
There is also the website I’m wrangling for my co-written books, which is a different level of figuring thigs out from keeping a site that is mostly a blog. There are two author bios to put up there, two backlists, and I’m going to have to work on that whole regained rights issue, for two historical romances that are going to need a certain amount of work, because A) I wrote them a long, long time ago (even though it feels like only yesterday) and B) both I and the market have changed.
What those changes would be…ehhh, I don’t know. That would require looking at the manuscripts first, and that is not a task for me for today. Today is for booting Her Last First Kiss, and getting Bern and Ruby one step closer to The End of draft number two. Then it’s time to bundle them off on the bus, as well. While I like to think that I have learned a thing or two about the raising of historical heroes and heroines since the day I chair-danced and scared the cat (Olivia, our cat at the time, took it in stride, actually) when a publisher actually wanted to buy My Outcast Heart, I also hope that readers who eventually pick up Her Last First Kiss and all the historical romance novels I write and put out there after (of which I plan many) will find the same spark that they found in those earlier works.
The dry spell, as soon as we get the official release date for Chasing Prince Charming, will be officially over. I could say that it officially ended the day Melva and I got the first “the” email from The Wild Rose Press, or the day we had a second publisher also make an offer on the same work, and we had to make a decision. I could say it ended when Z Publishing sent me an email, the day after we moved out of our former apartment, a the email I answered from a motel bed, Skye, our cat at the time, beneath it, asking if I would be interested in submitting to two of their anthologies. I was still coming down from a massive anxiety attack, I’d exerted myself physically so much the day before, that my legs wouldn’t move, and bed was my only option. I can easily call that a low point, and then there was a the email. I said yes. This year, they asked again, and, this time, from a comfortable apartment (with Sebastian, Cat Regent) I said yes again.
That yes put me into new waters, s my binder for working on Plunder‘s outline, expanding “The Fox and the Lily” to not only a full historical romance novel, but my first intentional trilogy, rescuing the second book, which I had thought would be the first and only, from the metaphorical sandbar where it had been stranded for years I refuse to count. Plunder is first, with Cornelis and Lydia, then Abandon, with Alec and Tamsen, annnnd I have no idea what I am going to call the third one, but I want it to have a one word title that fits in with pirates and/or privateers, and either hero or heroine (I don’t know which one yet) will be the grandchild of Cornelis and Lydia, the child of Alec and Tamsen.
I’m not worried. All of that stuff will come. If I have learned one thing over the last few years, it is that creativity is a bottomless resource. There will always be more. There will be more stories, there will be more sales, there will (or can be) more genres. There will be more characters. There will be more stories. There will be more. I want to make a sign of that, perhaps hire someone to cross stitch. There will be more.