Of Instagram, Identity, and Branding

This morning, when I sat at the kitchen table, to write my morning pages, there were two thoughts at the front of my brain.

Thought One: My brain is a total blank, right now. 

Thought Two: I haven’t posted much on Instagram, since Skye passed.

Needless to say, thought two pushed thought one to the back burner, which, technically, takes care of thought one, so I am one step closer to having a topic for today. It’s true that my posting has fallen off, since my mews crossed the Rainbow Bridge, and we do, one thousand percent, absolutely, plan on adding another furry family member, as soon as we can move to a pet-friendly apartment. That isn’t too-too far away, and we are all in agreement that the first thing we are going to do, as soon as we get keys, is get ourselves to a shelter and come home with a new fur baby (or two.)

In the meantime, though, there’s the rest of it. :gestures to life, in general: I am now officially one half of an author at The Wild Rose Press, and Melva and I are not only hard at work on Drama King, and already talking about what we are going to write next, once this trilogy is finished. Also, when we want to start that next project, and all the behind the scenes stuff of getting set up for our new roles as co-authors.

This also includes making sure we work, not only on our combined brand, but our individual brands, because our combined brand will combine parts of our  individual brands, but not all of them, and it will be something new, of its own, as well. At this time, both of us respond to the question of what, exactly, that brand might be, with deer in the headlight stares, and awkward silences. Can deer in the headlight stares and awkward silences be a brand? That may be worth looking into, at least as a place to start.

Where to go from there, though? That’s the question. Having Sebastian sit in as Cat Regent, until the next cat joins the family, feels right, but one stuffed cat does not a visual brand make. Which means the big question: who am I? As a writer, that is, not a person in general, which is a whole other topic. Pen geek, planner fanatic, devotee of classic historical romance, makeup lover, amateur style maven, diehard shipper (I have a fleet of them) and a lot of other things. How many of them travel over to the author side of things, and how many are best left for private life? I am still figuring that one out.

One step in that direction, is to start posting regularly on Instagram again. I miss it. I feel guilty every time I get a new follower with “Maine Coon” in the username, because A) I am very happy to see them, and B) I am currently between Maine Coons, and, well, it’s going to be a while before I can post any more MC pictures. What if people are only there for the Maine Coons, and don’t give a fig about pens and notebooks and whatever I have my tea in that day, and they all leeeeaaaavvvvvve meeeeeeeeeeeeee?

Um, wait a minute. This is getting precariously close to the way I think about historical romance, as I am getting ready for my and Melva’s contemporary debut. Okay, my contemporary debut, as Melva has co-written contemporary with another author, Lorene Morin, and this is my first professionally published outing in both contemporary romance, and co-written fiction. I’m very excited about both of those things, and yet, at the same time, I am still passionately in love with both historical romance and Maine Cons, both of which I am still moving toward getting more of, even if there isn’t a new one out, right this minute.

N and I had to take a break from our weekly breakfasts yesterday, but, when we meet next week, our focus (foci? Is it still focus, if it’s plural? I am not the half of this writing partnership with a PhD in English.) will be on getting our current manuscripts – hers in YA fantasy, and mine in historical romance- all the way to the end of their next drafts. We both need the push, and to hold each other accountable. Melva and I are also discussing accountability measures for our own solo outings. Historical romance for me, cozy romantic suspense for her; both are important, because that’s where we come from, to the place of being able to write together, and that plays directly into how Chasing Prince Charming came to be set in the world of historical romance writing and publishing.

When we discuss what we want to use as the basis of our next combined venture, it also raises the questions of what we want to write for our next individual adventures. I’ve got a few ideas stewing about; the Hogmanay story, something about selkies, a few long-dormant partial manuscripts that may, at this very moment, be clawing their way out of premature entombment/experiencing birthing pains at last/possibly both at the same time/etc.

I’m not sure how to wrap this up at the moment. I’ve been watching a lot of YouTube videos, and leaning toward adding a video component to the blog/site/brand/etc, but still sorting all of that stuff out. What would you readers/fellow writers/pen fanatics/other assorted magnificent unicorn sisters and brothers of the creative realm? Drop suggestions in the comments, like and subscribe (see, I’ve been paying attention to at least that part of vlogging) and we’ll figure this out together.

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