Typing With Wet Claws: Crunching the Numbers Edition

Hello, all. Skye here, for another Feline Friday. Exhausting week this time, with Uncle sick, but he is feeling much better now. It is still cold outside, even though there are some birds outside the living room window. If I could jump (I do not, because I have special paws) I would be on the window seat all the time, because birds are very, very interesting.  The art across from Anty’s favorite seat at the coffee house has changed. It is now this:

i1035 FW1.1

This week, Anty has been writing a lot. There are the blog posts, here and elsewhere, and she is hard at work on a new book. There is a lot that goes into writing a new book, besides only telling the story. Since Anty writes historical romance, she has to make sure that she has the historical details right, but not in a boring or heavy handed way. The love story is the center and the history has to come second to that, but still provide versimillitude. That is a big human word that means it has to feel right. Anty  has to get enough of the historical flavor to make sure the story fits its time and the people don’t think, talk or behave like modern humans, but still in a way that modern humans can understand and relate to them. Anty usually does have kitties in her books, and I am her consultant. I make sure the kitties are still kitties, because we do not change that much, no matter the time period.

Humans, though, are another story. I did not mean to put that pun in there, but i will let it stay. The humans who are in Anty’s stories…how should I put this?  They have problems. Personally, I think that if they  had more kitties, they would have fewer problems, but Anty says humans without problems are not that interesting. I guess she knows best, because she has books out and I do not, but I still think there should be more kitties. I hear there may be dogs in this book. I am not sure how I feel about that.

Yesterday, Anty spent a chunk of time figuring out how old the important humans in her story were. Sometims, Anty gets anxious about certain details. If she gets it wrong, does that mean the book is doomed? Is it too much detail or maybe to little? Is this marketable? Maybe she should write something more on trend (I have to remind her that is a very silly human concern, since trends in books are really about two years old when they hit the shelves, and that is slightly less than one third of my age. I say she should write the story and she says I am right and then she goes back to making clicky sounds on the keyboard and I can take another nap, because i find that sound soothing.)

Where was I? Oh, right, human ages. That involves numbers, and Anty does not like dealing with numbers. She would rather tell stories, but because her stories are historical, that means she is going to have to deal with numbers at some point. Anty likes to have clear boundaries when she writes. That means she needs to know how old her people are, what year it is, and things like that. Vague definitions make her fidgety, and I pick up on that, so really, if she wants a happy kitty, she needs to deal with this. Yesterday, she was on the glowy box, and her friend , Vicki, helped her figure out the ages.

Anty was having problems figuring out who was how old. Vicki is good at noticing when Anty goes into a loop (that means worrying about the same thing over and over again so that no writing gets done.) She suggested Anty look up the average age for first marriage of male heirs of peers during the era in which her story takes place. (Anty had already figured out the year the story has to take place by looking at historical events that impacted her people, so she knew when to look for this.) The answer was late twenties to about thirty. The hero in this book is a second son, so these figures did not apply to him, but it did apply to a secondary character, and Anty knows that the hero is two years older than that character, who is two or three years older than the heroine, so there was a lot of math involved, and talking about that is tiring me out, so I can only imagine what it was like for her.

Anty and Vicki agreed that it all depended on how old Anty wanted the heroine to be (Anty would say it’s not how old she wanted the heroine to be, but how old she is, because that’s the way people show up in her head, and you can’t go around telling people how old they have to be, because that’s not the way that it works. Plus, I think that would be rude.) and they could figure out everybody else’s ages from there. First round of numbers Vicki came up with, Anty shot down because everybody felt too old. So, Vicki asked Anty (Vicki has known Anty and the way Anty writes for a long time, so she is smart about things like this) how old the hero feels. Anty said twenty-seven, which is what Vicki also thought, so that meant the other human male was twenty-five and the heroine twenty-two or twenty-three. This is, some might be surprised to find out, not out of the ordinary for a woman to be that age at that time and not yet married. These are things humans find out when they do research.

Anty is giving me that look again, and I want a snack, so I will wind this up for now. If you did not get to read Anty’s post last week at Buried Under Romance, about how to pay tribute to a favorite author who has gone to Rainbow Bridge, it is here. If you are new to the blog and have not read her posts on remembering BertriceHuman, they are here, here, and here.

That is about it for this week. Until next week, I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Until next week...

Until next week…

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